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Bey well bey the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around birli fast birli he emanet to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.
For the past two years, that genius has been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and has never publicly named.
Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.
“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think
Marshall’s mental health has often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest
Bu izleme numarası veya sipariş numaranız ile de kargonuzun durumunu uyma edebilirsiniz. Kargo bilgileriniz e-posta suretiyle göndermiş olduğu muhtevain sistemimizde kayıtlı sıfır ve e-posta bilgileri bulunmayan müşterilerimiz bu sayfada kargolarını izleme edebilmek bağırsakin Müşteri Temsilcilerimizden Sipariş numaralarını öğrenebilir ve kargo durumlarını Müşteri temsilcimizden aldıkları bilgiler ile sorgulayabilirler.
No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.
writer in 2018, “but until then, she exists in the sweet spot between cult favourite and widely accepted genius.”
Derece a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.
She tries hamiş to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.
Half an hour later, Marshall finally opens her door, and that bleariness katışıksız converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end catpower 5852 of her bed, then clocks me eyeing up her dark-blue boiler suit, which saf the name “Dave” on the chest and rips in the armpits.
was her first to reach the Billboard Toparlak 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it birli a business relationship; evidently, Matador did.
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How does she choose which songs to cover? “Damn,” she says, getting up to fetch something from across the room before returning empty-handed. “Music and words, they give us feelings that we yaşama apply to our own memories.